CHAPTER XIV

CATALYSIS,
CRYSTALLIZATION

JUST a glimpse was gained into the mysterious process of Catalysis. Two examples were observed.

In this case there is little chemical evidence of the formation of intermediate compounds. The action is represented 2H,+O, -2 H,O.

The Platinum seems to act as an agent to produce the right conditions rather than to take much part in the action itself.

This is borne out in the occult investigation, where the change of the energy conditions is described by Mr. Leadbeater as a compression. The substances taking part in the reaction become denser or are compressed together, and in this condition the union of the two gases, Hydrogen and Oxygen, takes place.

It will be seen that in the notes the 'compression' is mentioned, but it is further stated that "The platinum does not do more than draw the Hydrogen atoms round it". To the chemist this suggests the surface film produced on the surface of metals.

The following notes were taken by Mr. Jinarajadasa during the course of the above observations. They illustrate the method of recording.

C. J.
Do the bars of the Platinum revolve more rapidly round each axis?
C. W. L.
You make a difference in the density of each atom. You can shrink it or loosen it out.
C. J.
When they have been squeezed together do they return to the full size?
C. W. L.
It is a question of looseness, time after time they return when not under stronger compression. The presence of the Platinum causes a great rise in temperature. Because of its condition it is capable of action on the surrounding air.
C. J.
Is the Platinum saturated? Is the Hydrogen sucked up? Is there a compound of Platinum and Hydrogen?
C. W. L.
You may get a state in which the loosened structure of the Platinum draws a kind of court of Hydrogen round it, each bar with J H at one end and J H at the other end. The atoms are lying separate, no longer interlaced but just like powder.
C. J.
Is the individual Platinum atom larger in that case?
C. W. L.
In crystals all atoms interact on one another and produce great compression. There is none of that here. Each atom is quite free and not under compression. The bars are looser, the atom has expanded. When the Hydrogen is turned on, gas passed over the Platinum, you get still further expansion. The Platinum does not do anything so long as it is under compression.
C. J.
Then you are using something up?
C. W. L.
When you apply heat. When the thing is glowing the Platinum is sending out more energy.
C. J.
Is it itself moving faster?
C. W. L.
Not only do the bars revolve but the atoms inside are also dancing round on solar system scheme.
C. J.
Which becomes faster when we heat, or both of them?
C. W. L.
Difficult to follow - wont stay still. There appears to be an indefinite amount of latent energy in the thing.
C. J.
Has it lost something in the process?
C. W. L.
As far as I can see this loosened Platinum is losing its power to respond. Everything is being disturbed. Hydrogen is free again. In the action the Platinum remains more compact than it was. It becomes denser and smaller and in the process heat is released.

FIG. 214. A SILVER NITRATE CRYSTAL
OC214.JPG
FIG. 215. THE EFFECT OF LIGHT ON SILVER NITRATE
OC215.JPG

SILVER NITRATE AgNO3

Observation showed that the Silver Nitrate compound existed first in groups of 1,296 molecules, which then broke up into groups of 432 when subject to light

Fig. 214 shows the crystal of Silver Nitrate, its shape being that of a double cube tapering at both ends. When light impinges on it, it is broken up into three blocks, each of 432 molecules. In these smaller blocks, also the ends are pushed out so that the blocks taper at each end

Fig. 215 illustrates the effect produced by light on the arrangement of the molecules. In the normal crystal the molecules are in rows. Light alters their position so that they are as in the diagram. The alternate molecules step back. Evidently the light is absorbed and not reflected.

CALCITE AND ARAGONITE

The constitution of these two forms of CaCO3 appears identical, but in one the three Oxygen atoms stand upright at right angles to the paper, and in the other they radiate horizontally as drawn in Figure 172, page 276.

THE DIAMOND

When examined clairvoyantly it was seen that the structure of the Diamond was somewhat difficult to grasp. There was clearly a unit of Diamond, and its shape was a triakis octahedron. Fig. 216. But how was the large mass of Carbon atoms built up to make the Diamond? Each Carbon atom is an octahedron in outline; each is composed of eight funnels, four positive and four negative. Obviously in any form of packing, funnels of like electrical quality must not come mouth to mouth, as they will then repel each other.

One especial difficulty in mapping out the structure of the Diamond was due to the fact that in reality there is no rigid octahedral shape visible in the outline of a Carbon atom. Certainly its eight funnels radiate to the eight surfaces of an octahedron; but the octahedral shape is more an appearance than a reality. Fig. 217 shows four of these funnels. The funnel is a temporary effect, being in fact the rotational field made as groups of Anu revolve. In their revolutions, they push back the circumambient matter of the plane next above, making thus a temporary shell or field of activity.

In the packing of Carbon to make the Diamond, any two funnels of opposite electrical quality, from two adjacent Carbon atoms, interlock. The two rotational fields overlap, and the cigar-shaped bodies of one funnel enter among the interstices of the similar bodies in the funnel opposite to it. Fig. 218 is an attempt to show this interlocking. This unusual interlocking may perhaps be the reason why the Diamond crystal is so very hard.

The simplest way to describe the Diamond, whose general appearance is shown by Fig. 219, is to narrate how the octahedrons are assembled, in the making of the model First, five Carbon atoms are grouped, as in Fig. 220. Funnels of opposite electrical quality hold each other rigidly. These five Carbon atoms, in this formation, form the Carbon molecular unit for the building of the Diamond Fig. 221 shows the same unit, with its Maltese cross, as seen from the back.

Taking now 25 of these units, we place them in rows of five, making thus a square. Similarly we assemble 16 units to make a smaller square, 9 more to make a square smaller still, and finally 4 to make the smallest square. We now make a pyramid of four sides; its base will be of 25 units, then next above 16, 9 and 4. The top of the pyramid is one unit of five Carbon atoms.

Here we quote the words of the investigator as he describes what he sees.

"Now build in imagination another pyramid exactly like the first, and one would expect, by putting them together base to base, to have the complete molecule. But it is not so simple as that. They are applied base to base, but they are, as it were, bolted together by the insertion of additional Carbon atoms. Turn the pyramid upside down, and you will see quite a pretty pattern of 25 Maltese crosses. Fig. 222. Take any four of these crosses, and you will see in the middle of the group of four a depression, a square hole. In the reversed base of 25 units there are 16 of these holes, and before we set the bases together we must put a single carbon atom in each of the 16 holes of one of the bases. The 16 atoms will project like spikes, but when we apply the two bases, we shall find that these projections will exactly fit into the depressions which come opposite to them, and will lock the two pyramids together most efficiently. Is this also part of the explanation of the extreme hardness of the diamond?
"There is yet another peculiarity. The 16 blue and black holes (in the diagram) are arranged in four lines of four. Produce those lines in each case to the edge of the base of the reversed pyramid, and we find another additional Carbon atom fixed there as a bolt; also, one extra at each corner of the base. We will mark the holes for these (they are really only half-holes) green in our diagram, and there will be twenty of them altogether. The Carbon atoms which fill these green exterior holes project at the sides of the base of the pyramid, and make a serrated edge. Has this anything to do with the remarkable cutting power of the diamond?

FIG. 216. A UNIT OF DIAMOND
FIG. 217. FOUR CARBON FUNNELS
FIG. 218. CARBON INTERLOCKING
FIG. 219. A CRYSTAL OF DIAMOND
FIG. 220. FIVE CARBON ATOMS
FIG. 221. VIEW SHOWING MALTESE CROSS
OC216.JPG
OC217.JPG
OC218.JPG
OC219.JPG
OC220.JPG
OC221.JPG
FIG. 222. The Structure of the Diamond
OC222.JPG

"It seems noteworthy that the molecule stands always on the point of one of its pyramids, like a buoy floating in the water. In building the two pyramids, the units (of five Carbon atoms) always stand upright on their crosses; consequently it follows that when we reverse one of those pyramids to apply their bases, all the units in both of them are pointing away from the centre of the molecule. The little grey lozenges on the diagram are orifices, through which the background can be seen.
"I find it extraordinarily difficult to describe the thing so that there can be no mistake about it; I feel as though there must be some other way of looking at it which would make it all perfectly simple, but I cannot just get that point of view; perhaps someone else will. You have probably no idea of the trouble it has cost to analyze this molecule; it seems different from anything I have tackled before.
"There is still one more peculiarity, which however is not represented in the model The whole molecule is, as I have said, a flattened octahedron, and of course its eight sides are triangles. But in the middle of each of these eight sides - or rather aver the middle of it - hovers a single floating Carbon atom, floating out at right angles to the face of the triangle, pointing straight away from its centre. Its bottom point is almost touching the central point of the side, but not quite. I suppose that we could make it appear to float in its place by some ingenious attachment of thin wire, or possibly a long pin. Tiny as this Carbon atom is, it produces a curious effect We know how each chemical atom makes a shape for itself by pushing back surrounding matter - a shape which is really illusory, like the octahedron for the Carbon atom, whose sides are actually the mouths of funnels. Without those eight floaters, the shape of this Diamond molecule would be a flattened octahedron; but each of them raises the centre of its triangle very slightly, so that lines run from that centre to each angle of the triangle, dividing it into three very flat triangles, and so making the molecule a twenty-four sided figure, the triakis octahedron. The lines, of course, run from the apex of the floating atom."

When we count the number of Carbon atoms in the unit of Diamond, we find

FIG. 223. GRAPHITE
OC223.JPG

GRAPHITE

It is well known that Graphite, which is dark grey and lustrous, is also composed of Carbon atoms. While the Diamond is hard, Graphite is soft and friable. Obviously the packing in Graphite must be quite different. Each octahedron in the figure is a Carbon atom of eight funnels; the difference in the electrical quality of the funnels is shown by light faces of the octahedron for positive, and dark faces for negative funnels.

The arrangement of the octahedrons in Graphite is such that, in each ring of six, a positive funnel is linked to a negative, and vice versa. Two layers of Carbon atoms in this formation can exist linked one over another, as the under surface of each layer is exactly the reverse electrically of the upper surface, and so two contacting surfaces readily link. .

This open-work lace-pattern arrangement of Carbon atoms accounts for the peculiarities in Graphite of darkness and of lustre. When light falls from the top, most of it enters in, and therefore when looked at from that particular angle, Graphite is dark. When light falls from the side, the absorbing spaces are much smaller in comparison, and a great deal of the light is thrown back, but not all of it, as in the case of the Diamond The friability of Graphite is easily understood when we note its arrangement into layers, as described above.


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